ink review: noodler's dragon's napalm
ink review: noodler's black swan in english roses
Noodler's has released the second in its line of inks that have been designed for flex nib pens. The high-shading Black Swan in English Roses continues the high level of quality set by its predecessor. In my review of Black Swan in Australian Roses, I praised the ink's poetic nature, and English Roses delivers a similarly lyrical experience.
Where Australian Roses was violet-black with pink undertones, English Roses is an earthy red-brown with bright, poppy red undertones that peek out from time to time. It is a wonderfully deep, rich, and rewarding ink to work with.
This ink is definitely designed for a wet-writing pen. In my TWSBI Diamond 530 with an extra-fine nib, it felt a bit dry and produced a very narrow line. However, it behaves exactly the way I want it to in my Pilot Falcon with a soft-medium nib. The Pilot is a very wet writer, and even inks like Diamine, which are in the midrange of "wetness," produce too great a flow for my tastes. English Roses, on the other hand, is exactly right – I can use it on the ultra-thin paper of a Moleskine cahier without any bleed-through whatsoever, and it produces dramatic and lovely shading.
I tested English Roses on five different papers using a fine nib: cheap, office-grade copier paper; Staples "Sustainable Earth" bagasse, a Moleskine lined notebook, an Ecosystem author notebook, and a Rhodia webbie. On every single paper, the ink behaved exceptionally well, exhibiting no bleed-though, no discernable feathering, and low levels of show-through.
Drying time ranged from a low of 4 second on the absorbent paper of the Ecosystem, to 6 seconds on the copier paper and the bagasse, to 12 seconds on the Rhodia, to a high of 20 seconds on the Moleskine.
Like Australian Roses, English Roses is partially water resistant. The smear test, in which I run a wet finger across the page, created a red streak, but the lines remained intact and are still mostly legible. The drip test, in which I let droplets of water sit on the paper for a minute before blotting, resulted in the red dye being lifted, but the darker brown dye remained on the page.
The soak test, in which I run the paper under a faucet, resulted in the complete washing away of the red dye (it left a red haze on the page), but left the brown parts of the ink intact. It was fully readable even after a full soak. In my opinion, it is not an ink that you could put down and then paint or wash over, but an envelope addressed with it should have no trouble arriving at its destination.
Noodler's Black Swan in English Roses comes in a standard 3 oz. Noodler's bottle that's filled to the brim – so be careful when opening. Noodler’s intentionally uses stock bottles and lids to keep their prices low, which means that they aren’t intended to be show pieces in and of themselves. They are functional and stable, but not an objet d'art intended for the top of one's desk.
English Roses is another amazing ink in the Black Swan series. To get the full value from it, you'll need to use it with a wet-writing or flex nib, but it performs admirably under these circumstances. It will still perform quite well in a drier nib, but you won't quite get the same level of dramatic intrigue out of it. I continue to be impressed by the dry time, performance, and beauty of the Black Swan series, and I hope that further entries await us.
Review notes: I used a 3.8 mm Pilot Parallel calligraphy pen for the widest strokes, a 2.0 mm Pelikan Script calligraphy pen for the medium strokes, and an extra-fine steel nib on a Lamy Safai for the thin stroke. The paper is Rhodia 80gsm from a No. 18 pad.
Noodler's Black Swan in English Roses is available from:
ink review: parker quink blue black
Parker Quink Permanent Blue Black is a workhorse of an ink that I'm sorry I waited this long to try out. First developed in the late 1920's, it was regarded as a revolutionary ink that eliminated the need for blotting. It remains, to this day, one of the most popular fountain pen inks in production.
Parker's version of blue-black is moderately saturated and allows for a modicum of shading in a fine nib. It is not the color I think of when I think of blue-black, however. I see it as more of a medium teal-blue. On ivory or off-white paper, the teal tones show through even more prominently than on white paper. It is also a bit of a dry writer. On each paper, the nibs I tested wrote true to size, if not slightly smaller.
Blue-black is the first Parker Quink (a portmanteau of "quick" and "ink") in my collection, and I now understand why it is so popular. It is one of the best behaving inks I've ever used. I tested it on five different papers: cheap copier paper, Staples "Sustainable Earth" bagasse, a Moleskine notebook, an Ecosystem notebook, and a Rhodia webbie.
On every single paper I tested, I saw no trace of feathering, a low level of show-through, and no bleed-through at all. Drying times varied a bit – from 3 seconds on the copier paper; to 8 seconds on the bagasse, Moleskine, and Ecosystem; to 12 seconds on the Rhodia – but they all fell well within the normal range for each paper.
For an ink labeled as permanent, though, it is anything but waterproof. The smear test, in which I drag a wet finger across the page, produced a lovely teal smudge which obliterated any trace of the underlying line. The drip test, in which I let a drop of water sit on the paper for a minute before blotting, lifted a significant amount of ink from the page.
The soak test, in which I run the paper under a stream of water, washed away nearly all the ink. The faintest trace of a line was left – the ghost of inks past, I suppose – but not enough to be legible. To be fair, the "permanent" label exists only to contrast with the "washable" label of their blue ink, which is specifically designed to be easily removed from one's hands. Still, I wouldn't address an envelope with it, especially if one's destination is in Atlantis.
Parker Quink comes in a solid, sturdy 2 oz. bottle, which is a perfectly pleasant. It's neither ugly nor utilitarian, but it is a bit conservative, as befits the ink it holds. It won't look out of place on the desk of anyone that wears a Brooks Brothers' suit to work (present company included), but it might seem a tad archaic on the shelf of a modern, bohemian artist.
I suspect that the primary audience for Parker Quink Blue Black is business, as it is a slightly conservative ink that is designed to be used all day, every day. It is also perfectly acceptable for personal correspondence and journaling, as it is easy to read and easy to use on a wide variety of paper. It will write anywhere with nary an objection, and it rinses out of pens without any issues.
Parker Quink Blue Black is a solid ink that is a tremendous value for the price. If you're looking for an inexpensive, well-behaved, daily use ink, then this is an excellent candidate. If you're looking for something flashy or bold, then look elsewhere.
Review materials: For the wide strokes, I used three calligraphy pens: Pilot Parallel 6.0mm and 3.8mm pens, and a 2.0mm Pelikan Script. All three have steel nibs. For the fine strokes, I used a TWSBI EF steel nib on a TWSBI Diamond 530. The paper is Rhodia 80g from a No. 18 notepad.
Parker Quink Blue Black is available from: